Influence on societyHorror films' evolution throughout the years has given society a new approach to resourcefully utilize their benefits. The horror film style has changed over time, but in 1996 Scream set off a "chain of copycats", leading to a new variety of teenage, horror movies. This new approach to horror films began to gradually earn more and more income as seen in the progress of Scream movies; the first movie earned six million and the third movie earned one-hundred and one million. The importance that horror films have gained in the public and producers’ eyes is one obvious effect on our society.
Horror films' income expansion is only the first sign of the influences of horror flicks. The role of women and how women see themselves in the movie industry has been altered by the horror genre. In early times, horror films such as My Bloody Valentine (1981), Halloween (1978), and Friday the 13th (1980) pertained mostly to a male audience in order to "feed the fantasies of young men". Their main focus was to express the fear of women and show them as monsters; however, this ideal is no longer prevalent in horror films. Women have become not only the main audience and fans of horror films but also the main protagonists of contemporary horror films. The horror industry is producing more and more movies with the main protagonist being a female and having to evolve into a stronger person in order to overcome some obstacle. This main theme has drawn a larger audience of women movie-goers to the theaters in modern times than ever historically recorded. Movie makers also go as far as to integrate women relatable topics such as pregnancy, motherhood, lesbian relationships, and babysitting jobs into their films in order to gain even more female oriented audiences. |
influence internationallyWhile horror is only one genre of film, the influence it presents to the international community is large. Horror movies tend to be a vessel for showing eras of audiences issues across the globe visually and in the most effective manner. Jeanne Hall, a film theorist, agrees with the use of horror films in easing the process of understanding issues by making use of their optical elements. The use of horror films to help audiences understand international prior historical events occurs, for example, to show the horridness of the Vietnam war, the Holocaust and the worldwide AIDS epidemic. However, horror movies do not always present positive endings. In fact, in many occurrences the manipulation of horror presents cultural definitions that are not accurate, yet set an example to which a person relates to that specific cultural from then on in their life.
The visual interpretations of a films can be lost in the translation of their elements from one culture to another like in the adaptation of the Japanese film Ju on into the American film The Grudge. The cultural components from Japan were slowly "siphoned away" to make the film more relatable to an American audience. This deterioration that can occur in an international remake happens by over-presenting negative cultural assumptions that, as time passes, sets a common ideal about that particular culture in each individual. Holm's discussion of The Grudge remakes presents this idea by stating, "It is, instead, to note that The Grudge films make use of an untheorized notion of Japan... that seek to directly represent the country. |